José Parlá’s Ciclos: Blooms of Mold was presented as part of Brooklyn Abstraction: Four Artists, Four Walls at the Brooklyn Museum organized by curator Catherine Futter. The large-scale environmental painting transformed the architectural space through richly layered surfaces, gestural mark-making, and luminous color. Drawing on themes of transformation, memory, and the regenerative cycles found in nature, Ciclos: Blooms of Mold explored the poetic relationship between decay and renewal while creating an immersive dialogue with the works of Maya Hayuk, Kennedy Yanko, and Leon Polk Smith.